ABOUT

My practice lies between contemporary photography, the observation of cultural processes, and the construction of visual memory, with a particular interest in materialities, workspaces, and the ways people relate to what they create.

Holding degrees in Sociology and Audiovisual Communication from the University of A Coruña, I have spent more than fifteen years working across image-making, territory, and the observation of cultural and community contexts. I am especially interested in what tends to remain outside the image: gestures, working rhythms, creative processes, material traces, and the relationships between body, space, and memory.

My photographic practice has evolved through authorial projects, cultural documentation, and visual narratives connected to living heritage, contemporary creation, and material practices.

In 2009, I developed the photographic series De costas, included in the exhibition Novas conversas con Atlante, shown at venues including Aquarium Finisterrae, Outono Fotográfico de Ourense, and Sala Can Basté in Barcelona. In 2011, I was a finalist in the XXV Caminos de Hierro International Photography Competition with the series Media distancia, consolidating a line of work focused on landscape, identity, and the observation of territory.

My work has been featured in exhibitions related to memory, public space, and social practices, including Unha ducia de veciños (2013), Diversidade e tolerancia (2019), and Espolio (2020), presented within the ACAMPA gathering for peace and the right to refuge.

In recent years, my work has increasingly focused on the visual documentation of creative processes, cultural practices, and contemporary heritage.

I have developed photographic and audiovisual documentation projects such as Arte no Camiño (Provincial Council of A Coruña), centred on artists connected to the English Way and the Fisterra–Muxía routes of the Camino de Santiago; Mujeres Innovadoras: Voces de la Economía Social (Innovative Women: Voices of the Social Economy), focused on portraiture, testimonial memory, and stories of contemporary social transformation; and Da Néboa, a project dedicated to dialogue and dissemination around craftsmanship and contemporary creation in Galicia, where I work as audiovisual director and editor.

In 2025, I developed the visual documentation for Encordadas: Internationalising the Craftsmanship of the Spanish Guitar in Japan, a project centred on the artisanal construction process of instruments made by Galician luthier Pablo Sánchez-Otero. The project resulted in an exhibition presented at the Embassy of Spain in Japan and the Instituto Cervantes in Tokyo, exploring the relationships between craft, time, materiality, and living heritage.

I currently develop projects in contemporary photography, cultural documentation, and visual research from Galicia, both through my own artistic practice and through TAKO Cooperative, an organisation specialised in cultural projects and contemporary visual narratives.